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The Nun (or La Monja) seemed to have all kinds of potential. I mean, who doesn't want to see a movie about a nun who returns from the grave to kill the girls she hated so much when she was their teacher? Here, the Nun can only manifest in water, which even gives the film an odd little angle to call its own. Throw in some pretty good special effects and an effectively creepy atmosphere, and you start asking yourself why this film was denied a theatrical release. Then you watch the film, and the reason eventually becomes clear - The Nun is cursed with a relatively poor script and a really lame ending. I found this particularly disappointing because I had truly admired the scripts of Jaume Balaguero in Darkness and The Nameless.
The story really starts eighteen years in the past, where we watch Sister Ursula give her class of female students a tough lesson on the wages of sin. She's particularly unhappy with Mary, Cristy, Susana, Zoe, and Eulalia because they just aren't living up to the standards of the saints they supposedly share their names with. Back in the present, we are treated to a well-paced, atmospheric scene culminating in the death of Mary - the special effects of the water-borne Nun are really quite impressive here. Having witnessed the culmination of her mother's death, young Eva (Anita Briem) soon finds herself in the middle of an unbelievable mystery. In short order, after an old classmate of her mother's is similarly murdered, and she finds evidence that her mother was planning a trip back to Spain to visit her other boarding school friends, Eva insists on taking the trip herself and finding out why and how her mother truly died. Accompanied by her best friend Julia (Beven Blanco) and Julia's annoying boyfriend Joel (Alistair Freeland) - and picking up a seminary student named Gabriel (Manu Fullola) along the way - the group eventually find themselves at the long-abandoned site of the old boarding school. It is here, in the company of the two former school girls yet to die, that the script begins deviating south every so often.
While the CGI effects aren't always perfectly believable, the Nun's every appearance makes for a highlight of the film. She's pretty evil-looking when she wants to be, and she knows what she's doing when it comes to killing former Catholic school girls. The bodies don't always end up in one piece, and most of the death shots are framed quite well. Unfortunately, rather than just sit back and enjoy the ghost nun's handiwork, we're compelled to learn what really happened at the boarding school eighteen years ago as the characters slowly begin putting all of the pieces together. Prepare yourselves for several remarkable leaps of logic and an ending that is simply not tenable based on everything that has come before. You may also want to prepare yourself to hit rewind every so often - this is basically a Spanish production, and even though the characters all speak English, I sometimes struggled to understand the dialogue of several actresses' strong Spanish accents.
With its impressive cinematography, suitably dark atmosphere, and handful of satisfying deaths, I think The Nun is certainly worth watching. I was actually prepared to give the film four stars - despite its sizable plot holes - until the ending rolled around. It's never pretty when a decent film commits cinematic suicide - especially when it is we, the audience, who are forced to swallow the bitter pill of a poisonous conclusion.
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